Showing posts with label terri reid. Show all posts
Showing posts with label terri reid. Show all posts

Sunday, May 19, 2013

Review: Irish Mist - Sean's Story


Irish Mist - Sean's Story
Irish Mist - Sean's Story by Terri Reid

My rating: n/a



Well this is a pleasant surprise. A VERY pleasant surprise.

The word on the net is that Sean O'Reilly gets his own story and series... unless I've misunderstood something here. I'm not an avid fan or reader of the Mary O'Reilly mysteries, but I HAVE enjoyed the first six books immensely as well as the entirety of the little world and the characters.

Sean O'Reilly happened to be one of my favorites (despite what little appearances he's made) and I had secretly hoped Terri Reid would make him the main character in one of the books. I guess I get my wish fulfilled... and then some.

Unfortunately, I haven't read it yet since I'm trying to cut back on book buying for the time being (I've already reached my budget limit this month, and yes, $0.99 is still money). And as much as I've enjoyed reading the Mary O'Reilly series, even just $0.99 for a 25 page short story is a bit much, though I'm not opposed to spending the money at some point, just not now.

Ack... we'll see. My goal is to spend less money on books and discipline is important right now...



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Saturday, March 10, 2012

Review: Darkness Exposed


Darkness Exposed
Darkness Exposed by Terri Reid

My rating: 3 of 5 stars



I can't say that this is the best book in the series, but at least we finally get some closure on the Police Chief, Bradley Alden's missing/murdered wife, Jeannine. Terrifying secrets are revealed about the "good" neighbors living in Bradley's old neighborhood surrounding Jeannine's death. With Jeannine's ghost remembering certain details of what might have happened to her eight years ago, Mary and her new acquaintance, Ian MacDougal (who is a Scottish hottie professor who also sees ghosts and studies the paranormal in conjunction with criminal investigation) pose as a couple moving into Bradley's old home to investigate Jeannine's death.

I can't say that the mystery was very secret after the first encounters with each neighbor occurs. I almost immediately pinpointed the culprit and found it amusing that the rest of the neighbors gave off even creepier vibes as suspects. Nonetheless, it was still an interesting follow-up to the conflict following Bradley for eight years, finally giving closure to his wife's mystery.

On the side, we are given a not-so-distracting side story involving an arsonist. While the two cases do not tie together, there are certain elements concerning idealism, emotion, as well as the supernatural that sort of (if you really want to make that connection) ties the two cases together (not really, but I try because it makes me feel happier).

Once again, as always, my one favorite factor of the Mary O'Reilly series keeping me in enjoyment is none other than the characters. So even if the plot runs flat, I still really enjoy following the world of Mary and all of her companions. I can't say that I'm a hundred percent in like with Bradley Alden (he seems like standard male hero creation, which is fine and safe), but the rest of the men (living or dead) appeal to me so much more than he does. Mike Richards, the fireman ghost kind of takes a slight backseat in this particular story when it seems he can't seem to follow Mary away from Freeport, so I was a little disappointed. He still gets some book time though, so that's not too bad.

Ian turned out to be a delight to have as a new partner for Mary's ghostly investigations with his studies and knowledge as well as the ability to see ghosts as well. What I'm really appreciating is that the author doesn't try to incorporate unnecessary love triangles; Ian has a sweetheart back home in Scotland and he makes rather clear that he is very much in love with his fiancee Gillian. There is no romantic tension show between him and Mary; for instance, when they kiss each other (while it came as a surprise to me that they did it so naturally without hesitation) in front of the neighbors, they both agree that it doesn't feel awkward because there's no spark (like kissing a sibling; though how many people know a pair of siblings to actually kiss each other on the lips?). HOWEVER, I let that one slip by and just contribute it to the author's need to emphasize that there will be no romantic conflict going on to interfere with the resident main couple. While it's a little forced (because who wouldn't feel flustered around a black spandex shirt wearing Scottish professor with an accent and those darned "man boobies"?) I just appreciate that there seems to be no inclination towards a love triangle. Love triangles are one of the few tropes of romances that I really, really don't care for, even if I'll accept it under reasonable circumstances.

While I still love Rosie and Stanley, there are some points in the book where I sort of wished that they weren't trying to portray the meddlesome, nagging grandparent-types. They became too overprotective of Mary (even if for good reason) but those instances didn't seem to really sit as very significant aside from showing that they are indeed Mary's best friends who care for her well-being. But Mary has enough people worrying about her well-being already without her two best friends trying to talk her out of doing things that they darn well know she won't budge from. I'm just saying, as best friends, sometimes even if you know your best friend is doing something stupid, you know that saying something isn't going to change his or her mind at all. Then again, I guess it doesn't hurt to keep trying and being insistent.

Finally, there's Jeannine whom I really found I liked a lot. She had a great personality, young and witty and I found myself thinking that it was a pity that she was both dead AND Bradley's wife. She and Mary had great conversation and understanding of one another and would have made a very interesting pair (in an alternate universe of Mary O'Reilly fun, Jeannine and Mary would have made a great set of best friends).

On an end note about the characters, we get to see Sean O'Reilly a bit more too, but still not enough to satisfy my own wants. I'm almost hoping that Ms. Terri Reid might consider making Sean a main player in one of future projects? Just a thought. I don't know why, but despite not seeing much of him, I really do like this guy -- maybe because he's that ideal protective big brother I've always wished for, or maybe because of the fact that he's protective but not too overbearing, or maybe just because he's got a "sibling-evil" type personality wherein, even though he spends time protecting the baby sister, he doesn't hold back from being the jerk that big brothers can be when teasing for good old sibling rivalry fun.

Of course, I must say, I'm thinking that if not for the straight forward, well-paced progression of these short novels, as well as the emphasis on the mysteries and the supernatural, the characters might fall flat for most readers. What I'm starting to pick up is that, while each character indeed possess their own distinct personalities, they also tend to all have the same personality as well. I'm not sure how to explain it so that it makes sense, but sometimes I feel like the characters are too perfect: everyone has the same justice-seeking idealism, good morale, comprehensible and understanding bantering and witticisms, hero-like qualities... I could go on and without certain defining character traits, such as Mary's stubborn ex-Chicago police tough girl pride, Bradley's overprotective male ego ideals, or even Mike the fireman ghost's smarmy and flirtatious charm, I probably wouldn't be able to tell one voice from another.

This particular trait plays in favor of the Mary O'Reilly world as well as becomes a disadvantage. The disadvantage shows in that it cannot quite stand alone as a unique world full of unique people without the supernatural and mystery elements as well as the author's own witticisms to hold it up. I have never read a book (or five books) where almost every character who is significant to the world is completely likable without any annoying, defining character flaws. Bradley comes a bit close to it, but I overlook that for his love line with Mary. Otherwise, everyone in this universe who has anything to do with Mary and her mysteries are almost too perfect to be true. It's a good thing and a bad thing -- the bad being what I've mentioned already. The good thing about how these characters are created: I love all of them (as I've stated time and time again). There's no harm in following a group of exceptionally likable characters; my own preference is that I really don't care for angsty confrontations if they can be avoided, though I know that a lot of people like that emotional tension between characters. But everyone in this universe like each other within Mary's supernatural mystery investigation clique, which is nice and safe. For one, I don't mind it too much just because then we don't take away from the mysteries by including too many unnecessary relationship conflicts.

Still, the world just seems too perfect, but I guess when you're someone who sees ghosts all the time and have to try to survive the murderers in almost every book, no conflicts among the usual round of characters in your clique is probably a good thing. I know, I'm hard to please and can get a bit contradictory, but the ultimate deal is, I still really, really like this series and will continue to follow the books (and hope that Sean O'Reilly gets to be seen more often).



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Thursday, March 8, 2012

Review: Final Call


Final Call
Final Call by Terri Reid

My rating: 4 of 5 stars



Immediately after finishing the third book, I curiously jumped into the fourth book. Within four hours, it was finished (yes, I should have been sleeping and now I'm running on about four hours of sleep because I got a little greedy). Was this book better than the one previous to it? Well, I have to admit that it was... but not by too much. However, I gave it a four star rating instead of two like I had the previous.

The mystery of Final Call wasn't anything outstanding. A rude, arrogant, bitchy primadonna stage actress gets murdered and there are so many people who would have been her enemy. At the same time, we also see a separate side story where a reverend who appeared in the last book comes to seek Mary's help because he can't figure out why he's not going to heaven despite being so devoted to the church. It got a little fussy at times, switching back and forth from one major plot to a not so major plot that still got a lot of page time. If the reverend's plot had been downsized a little bit, maybe it wouldn't have felt so stuffy. The thing is, in the first few books, (especially the first book) two separate cases usually ended up tying together at some point. In this book, the two separate cases had nothing to do with each other.

But that's fine, somehow it all still worked out because the character developments were astounding in Final Call. Bradley and Mary come to a hitch in their relationship when we finally reveal to Bradley that his wife Jeannine is already dead and Mary has known since the end of Book Two. New characters are introduced and each have their own little quirks. Mike the fireman ghost, at first I didn't like him at all because he seemed really smarmy; afterwards, I totally adore him because he's always there at all the right times AND he's got an excellent wit about him. Jeannine's ghost, at the very least, is a bit more realistic about what's going on than her husband is and not being a vengeful dead wife who wants to keep her husband for herself; I like that she's created as a good woman who had an unfortunate encounter with death. Finally, the newest addition who feels like he'll be another recurring character, Ian MacDougal has the makings for a likable partner.

As for our recurring characters: Stanley and Rosie just keep getting better and better. Sean O'Reilly is an awesome big brother and I bemoan the fact that we don't get to see more of him. I mean, send a good looking Scottish young gentleman who is also a professor my way and you will be my favorite big brother in the world. Really. And while I'm not a big fan of romantic angst, I think our couple needed this separation, which will hopefully finally bring about some closure in the entire thing -- Bradley needs to move on, Jeannine needs to move on. It's just too bad that Mary had to get caught in this family dilemma just because she fell in love with the jerk.

So this time around, even if the story wasn't the best and the two cases seemed a bit messy, the characters of the Mary O'Reilly universe really made up for all of it. I'm a sucker for well-written characters with good development and progression. The story was also okay, so everything just fell into place wonderfully.



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Friday, March 2, 2012

Review: Good Tidings


Good Tidings
Good Tidings by Terri Reid

My rating: 3 of 5 stars



Two books, one author, three days. It would probably only take about a day to read these short and cozy mysteries by Terri Reid, but I typically start off my reading day nearing the night (since I'm third shift and that's the time I'm awake) and then finish it sometime after the new day has come around. I must say that these books are quite satisfying -- at the very least, I'm turning pages wanting to know how the mystery is solved.

Of course, these ARE pretty short stories from what I'm used to reading, so I'm not surprised that I've been finishing them up so quickly.

The second book of the Mary O'Reilly paranormal mysteries takes our two main heroes all the way to Mary's home city of Chicago in an investigation of an infant snatching. The deceased six year old big brother of the kidnapped infant is Mary's "client" this time; he is Joey Marcum who was able to remain by his family's side after death as his little brother's guardian angel. In this case then, little Joey makes for a pretty good spy in finding out what's going on around his brother and the infant snatchers and what they're doing.

We also get some insight into Mary's near-death experience as well as learn more about Bradley Alden's past. There's some forwarded romantic development as well as a lot of nice and warm moments among the O'Reilly family.

For starters, the writing style seems to be progressively getting better and better. I'd chance to say that the author could still use some editing as I've caught a lot of consistent grammatical errors and awkward word usage. But overall, just like the first book, it was a fun mystery experience. Good Tidings, however, wasn't as good as the first one despite having a more refined format and I think there was a little too much being slopped together from the kidnapping case and then moving into a drug/murder conspiracy. The transitioning felt a bit awkward, but it still managed to pull through.

What I'm loving about the Mary O'Reilly series so far is really the characters and their developments. I love Stanley and Rosie with a passion -- these two side characters are created as very witty, very loyal, yet brutally honest best friends to our heroine. I also like seeing the few side ghostly story arcs that take place so that we know that Mary doesn't simply attract all the crazy encounters that lead her into murder cases, kidnapping cases, rape cases (can I use the word rape in these reviews?)... the like. We see that there are some ghostly visitors who just have a simple unfinished matter that needs to attend to and then they can move on and be at peace.

While I'm continuing to enjoy the series, I didn't quite care for this second book as much as I had enjoyed the first one. And so here's hoping that the third one is just as gripping.



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Thursday, March 1, 2012

Review: Loose Ends


Loose Ends
Loose Ends by Terri Reid

My rating: 3 of 5 stars



I feel like I just opened up this book on my tablet and started reading it not long ago. Before I realized what was happening, I was 50% finished and still wanting to continue reading. In that instant, despite the "newbie writer" feel that I get from the way this book was written, I knew that this would be a winner.

As stated already, in my first and only update, I love a good mystery and I'm a sucker for ghostly mysteries. So the summary of the story line really hooked me in already and I became curious. It also helped that this is one of those self-published cheap buys going for the "this won't even put a dent in my savings account" price. So it wasn't like I had much to lose just buying it and reading it out of curiosity. (AND I needed something to recover from my failed Twilight reading attempt.)

Aside from the mystery and paranormal/supernatural aspects of this book, I think what I found I liked as well were the characters. Mary O'Reilly, being an ex Chicago top police officer turned private investigator was already a great back history to go with for a strong female protagonist. And from day one of this delightful mystery, this young woman kicked butt (not literally). Despite there being a tall and handsome Police Chief introduced as a good "Knight in Shining Armor" to help her out, a lot of times, Mary managed pretty well on her own; none of that damsel in distress stuff. Mary O'Reilly was created to be a strong female lead and the author delivers.

I had stated earlier that this book gave me that same feeling that amateur writers often give me. Let me rephrase this description:

I used to lurk the forums of Fictionpress.com and Fanfiction.net regularly a couple years back. These are both places for amateur writers (some not so amateur) who didn't have the means of publishing, but just wanted to share their ideas with the online community. I used to be one of those before I realized that I'm just NOT a good writer despite having so many ideas for some possible good story lines and characters. A lot of the work uploaded onto these two sites are typically like "impulse" stories. One of these people come up with a cute idea, writes a short story about it and then uploads it for all to see. And so what I'm saying is, a good percentage of stories seen on these websites are typically the raw, first draft version -- there has been no editing outside of catching a few punctuation and grammatical errors here and there. Sometimes this particular story has only ever been read by the author alone before being uploaded.

So the writing style is usually straight forward, to the point with little description, no drawn out narrations, and sometimes random scenes that you wonder about. It's not the best format every, and a lot of paragraphs could have been lengthened for more detail or combined so that the form didn't look so choppy. The rest of the story was based a lot on dialogue as well, more so than narration (a lot of "he said" and then "she said" and then "she said again" repetition in conversations). This is how I felt about Loose Ends when I started reading it. The flow of scenes was a little awkward wherein when a scene changed, I didn't realize it. Sometimes it took my a bit of thinking to realize who was talking. For instance, when we introduce Mary O'Reilly, one moment she's in her kitchen pondering about the headless soldier haunting her, the very next paragraph she's in bed hitting the snooze button on her alarm. There had been no signs of scene transition and I had gotten a slight case of confusion, wondering if she'd dreamed the whole headless soldier thing.

However, the chapters were short, the details were to-the-point, and there was no unnecessary prattling in narration. And as the book continued on, I found that it didn't matter how the format was put together; short chapters were nice, random scene changes transitioned better within each chapter, and our main character was really growing on me. By mid-book, all I cared about was the story, the characters and how everything would turn out in the end. Granted, as most mysteries usually go, you pretty much figure out who the culprit is by then as well and you're really just trying to get to the end to see how our heroes finally figure out the truth; also, in the case of Mary O'Reilly, we also get a chance to see how she manages to find REAL evidence to put our criminal away. As the summary goes, "a ghost's word just doesn't hold up in court" or something like that.

The process of which Mary goes through her investigation, utilizing her ghostly sources as well as the living sources and tying everything together was rather refreshing. And it was good that she was able to move through all of her investigation like a pro (she was an ex cop after all). Unfortunately, there are points where we head a little too far into standard Mary Sue territory and Mary O'Reilly seems too perfect to be true... and then she either blunders something or shows those defining character flaws and we are back on track.

Paranormal genres are already quite hard to handle because they don't sit very well on the reality scale. A reader's suspension of disbelief is truly tested on these types of stories and if done properly, you've got yourself an excellent telling; done wrong and that impression is forever lost because the reader won't be able to get passed that first "supernatural" occurrence enough to buy into the rest of the story line.

So Loose Ends, in this aspect, does a great job drawing the reader into both the ghostly aspect as well as the mystery. To conclude, the character of Mary O'Reilly was also quite witty and there were two specific scenes in the entire book where I actually laughed out loud. Frankly, Terri Reid pretty much won me over with her female lead actually deducing that walking into her basement alone knowing that someone is out to kill her wouldn't be a good idea because she'd "seen the movies." I have always made fun of horror movie girls for walking right into the killer when she really should have gotten reinforcements or ran away. So when Mary decided to call the Police Chief rather than out-stubborn her own common sense with her ex-cop strong woman pride, I gave a little cheer. I'm not saying that the girl isn't allowed to be the strong woman ex-cop, but I'm saying that at the very least, she wasn't stupid about her situation, which wins more points than trying to be independent and strong (not that I'm above creating that stubborn independence in some of my own female leads).

As short as it was (with some of the shortest chapters I've ever read) this book hooked me from beginning until the end. And well, now I'm off to find the rest of the Mary O'Reilly mysteries.



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